Here’s the full No Sleep article in the Wall Street Journal today…

 

If you’re in NYC, please drop by and say hello! Come support me, a local bookstore, and Brooklyn all at once!

No Sleep book signing with Hee Jin Kang

Tuesday, December 6th
7 pm
Book Court
163 Court Street
(between Pacific & Dean)
Cobble Hill, Brooklyn
718.875.3677

www.bookcourt.org

I’m pleased to announce the publication of my first monograph!

NO SLEEP: Hee Jin Kang
Introduction by Jonathan Ames
Published by Kehrer Verlag, Heidelberg
Hardcover
96 pages
60 color ills.
x 10¾ inches

No Sleep is a series of photographs of abandoned mattresses found around New York City. I’m interested in how these beds, although mute, allude to all the things we do on them – sleep, dream, have sex. Dumped onto the streets, the mattresses are impermanent memorials to the city’s many private stories.

To purchase:
Available now on amazon.com.

You can also find No Sleep at your local bookstores. If not, please ask them to stock it!

Info regarding book launch and signings to come…

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“Most of us are good when we’re sleeping. And yet our beds, which hold us in our most vulnerable and innocent moments (even a violent sociopath probably looks gentle while sleeping), can be so easily tossed aside and forgotten, no longer needed.” 
– Jonathan Ames
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efe24

07/25/2011

EFE24, a photography publishing project based in Madrid recently included some of my Kissable series in their second volume Sujeto.  Here’s the link to the issue, most useful if you read Spanish. Buy yourself a copy, it’s beautifully printed.

And finally, here are a few short videos of the press and the technicians in action. These guys really know what they’re doing.

A view of the entire press. I like the technician’s flair:

Another technician working his magic on the “DJ” station:

Here’s the cover being printed – so fast and so noisy:

And lo, the printing is done. Now these form prints need to be bound into books! No Sleep – May release in Europe, September in the States. Woo hoo!

No Sleep catalog page on Kehrer site

After my exciting week in Heidelberg, I took a break in Paris with F.  Here I am with my set of form prints:

Danke and Merci!

The Production

The cacophony of all the presses running at once is impressive, doubly amplified by the high ceilings. I loved the smell of ink. The place was huge, factory-like, much bigger than it looks here:

Here’s a close-up of one of the presses. A single false move and you’d quickly get eaten by one of these things:

The calibration and viewing area was like a DJ station. Here’s the touch screen monitor where the technician makes incremental adjustments to the cyan, magenta, yellow and black levels. That’s the test print from earlier in the week:

The technician lines up the newly-printed form prints (the actual pages of the book!) to this motherboard thing where each level below corresponds to a strip of the sheet above. I dunno, it was like magic. I would say, this one needs a little more magenta, this one a little more yellow and after some quick-fingered tapping and adjusting, and some hundred sheets later (in like 2 seconds), there it was corrected:

One of the printing screens:

The paper loaded and ready for printing. I chose Galaxie Keramik paper, in case you were interested:

Here we are: the printing technician, Jürgen the color expert, and me comparing the form prints to my reference prints:

By the way, we would check, adjust and recheck, reprint and recheck again each form print of about four images as it came out of the machine and then go into a separate (quiet) conference room for about half an hour while the entire set was being printed (1200 sheets or so I guess). Then we would get buzzed back into the printing room for the next form print. We did this twelve times that day! It was a long day.

Here’s Marijke, my Kehrer designer, looking up inquisitively at the misting system humidifying the space:

Afternoon shift change and another technician pulls a form print out of the press for viewing:

A pallet of final form prints. That’s a lot of paper:

Look ma, I’m making a book!

Printing the cover:

To be continued…

Last week I had the pleasure of traveling to Heidelberg, Germany to meet with my publisher Kehrer Verlag and to oversee the production of my upcoming monograph No Sleep.

After an uneventful red-eye flight – I fell asleep about halfway through The King’s Speech (I know, confronted with a choice between Colin Firth and sleep, I thought I’d choose Colin Firth too) – I trained it directly from Frankfurt airport to Kehrer headquarters in Heidelberg, met the team and immediately began poring over the test print of about 30 images that was waiting for me.

That first morning is a blur – thankfully I was in the capable hands of my designer Marijke and Kehrer’s color expert Jürgen. We compared the photographs one-by-one on the test print to a batch of small reference prints I had mailed in the week before and made some minor and some not-so-minor changes to the images in Photoshop. Unsolicited advice: if you ever do a book, make sure your reference prints are really more or less how you want the final images to look. After several hours of eye-straining corrections, it helps to have that constant. We also made small adjustments to the book and cover layouts in Indesign and then I was off to my hotel for some rest!

Heidelberg is a seriously picturesque town, easy to get around in, pleasantly walkable, small yet cosmopolitan. Here’s a view of the river Nektar, with the castle in the distance on the right:

Lots of civilized picnicking and wine drinking along the river bank:

A typical alleyway in the Old Town:

And of course, the famous Castle:

(that’s a very big dog, about the size of a pony, running around in the foreground)

I enjoyed my downtime there immensely: took long rambling walks on Philosophers’ Way, ate delicious ice creams (who knew ice cream was so popular in Germany?), and basked in the sunshine.

Soon enough, it was off to the press!

To be continued…

oh hi

02/03/2010

Several random things:

Peep Show.  It’s cold out there. Just hunker down and start with Season 1, episode 1.  And I’ll see you in a couple months.

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Andre Agassi’s Open. On Kindle for iPhone it surpassed 8000 pages! Well, 8000 very tiny pages.  But now I’m addicted to reading on my iPhone, loving the Kindle and Instapaper apps. Also addicted to watching old Agassi matches on youtube. And this:


Sniff, sniff!

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How many Jonathan Ames books can I read?

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The Dates of Wrath.  New blog by my friend Gaga and her co-conspirator Air. Hilarious.

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Remember that condo that was going up behind our building? Well, it’s more or less done. A monstrosity. And now our kitchen-window view of the Empire State Building is forever obstructed. Symbolically troublesome.

nybook

The NY Art Book Fair at P.S.1 is ending on Sunday – go! And bring cash, lots of it.

Some exhibitors whose projects and books were great (their postcards above):

The Ice Plant
Nieves Books
A-Jump Books
Regency Arts Press
Revolver Publishing
Gottlund Verlag
Lovely Daze
Hassla Books
FOIL
Charles Lane Press
Graphic
Red 76
Mediabus
Women’s Studio Workshop
Coracle

I’m so pleased with the three beautiful photo books I bought:

ron&rinko

Left: Other Nature by Ron Jude, published by The Ice Plant

Center: Aila by Rinko Kawauchi, published by FOIL

Right: Cui Cui by Rinko Kawauchi, also published by FOIL

All three personally signed – swoon!

http://graphicmag.kr/

what me

09/21/2009

probst
© Barbara Probst

Certain new likes:

* my ice cream maker and soon-to-be avocado ice cream

* neurologist V.S. Ramachandran (on Charlie Rose here) and his books Phantoms in the Brain and A Brief Tour of Human Consciousness

* St. Germain and soda on ice – yum

*photobooks: Barbara Probst Exposures (pictured above) and John Stezaker The 3rd Person Archive

* Peggy Olson

* writer Alain de Botton’s TED talk and his book The Pleasures and Sorrows of Work (which, incidentally, includes beautiful and insightful photographic essays by Richard Baker who needs to update his website):

Most of us stand poised at the edge of brilliance, haunted by the knowledge of our proximity, yet still demonstrably on the wrong side of the line, our dealings with reality undermined by a range of minor yet critical psychological flaws (a little too much optimism, an unprocessed rebelliousness, a fatal impatience or sentimentality).  We are like an exquisite high-speed aircraft which for lack of a tiny part is left stranded beside the runway, rendered slower than a tractor or a bicycle.

Yeah, what he says.